Natural Harmony

Sunday, August 17th at 2:30pm • Berkeley Piano Club

Drawing from community-based submissions of poems and short stories, ‘Natural Harmony’ is the culminating event of our week-long summer residency where composers, musicians and visual artists come together to create new works, bringing these stores to life musically and visually. All artists will present and perform their works live at the Berkeley Piano Club.

The Writings

  • 'Morning in Trinidad' by Julie Stokstad

    As the fog lifts, I come to a bench on the promontory, sit down and listen. I hear waves crashing below on the rocky beach. A raspy bird call startles me out of my reverie. Another bird calls--cheep cheep, cheep--betraying an urgency of life longing to make more life. I hear insects making a sound like a child's New Year's noisemaker. Insects are food for so many of my feathered friends.

    Smells hang in the heavy still air. Smoke tells me my kind are not far away. A musty smell alerts me that fungi are silently transforming dead things into nutrients so new life can rise up.

    Looking overwhelms me. I stare at the sea hoping to identify migrating gray whales. The sea is colorful: dark blue; gray and brown; turquoise and green and white. Changing trails of color appear then disappear on its surface. I remember from last night the shimmering paths of moonbeams dancing on the water.

    What is so appealing about this place where I sit? The trees here are large and old, creating their own environment. Alder, birch and Douglas Fir. Their lichen covered branches bend to touch the grass as if bowed in prayer. It is a holy place. I feel the mystery. My indigenous brothers and sisters came here in the past. Their spirits dance here still. If I am very quiet, I feel their presence as the dew rises to praise creation.

  • 'Fiddlenecks ' by Tejashri Pradhan

    They made the land into a park. We crouch along the path, nestling palm-sized buckeye seeds into the dirt and marking them with white flags. We nurture saplings and refuse to let them surrender, guarding them from trampling boots. We drench the seeds in buckets of water in a gentle trickle to imitate the fall of a currently nonexistent rain. The flags grow dirty and ragged, worn by time and elements, but the buckeyes flourish.

    Beside them, the California fuchsia thrives. We reach between its branches to tug away weeds while preserving newly emerging shoots. Feathery, dandelion-like seeds cling to our sleeves, our pants, our hair. With any luck, they’ll sprout and creep across the ground to reclaim their land. One day we find the fiddlenecks hidden among a patch of invasive grasses. Their curling violin stalks are a stunning representation of the golden ratio—the perfection of nature in all her glory.

    Who would’ve thought topsoil-growing wildflowers would creep through bulldozed dirt, stubbornly unfurling their heads? We’re here, they tell us. We aren’t going anywhere. When I meditate, I visualize a tree with deep roots. The tree shades me. The tree is me. When I dance, grounded steps are the most intuitive. With each stamp of my feet, I send reverberations of energy in all directions. It’s primal, signaling to the earth that I’m here, the same as when I wave pruned branches, dispersing seeds on the wind.

  • 'In Memoriam' by Rose Palma

    He’s dying and I just turned seventeen.
    Wrapped up in wires like an octopus caught in a net,
    He smiles, asks if I’ve had a boyfriend yet. Well, I had a girlfriend.
    We broke up. It wasn’t safe for her to come out to her family.
    After a year, her parents had caught on. I knew it when they looked at me
    Like I was going to dig through their silverware drawer and take home
    The life they had planned for her.

    That’s how my first love was, too. There were no words for it back then,
    Just summer nights, the cabin in the woods, the cicadas’ song.
    He couldn’t fall asleep next to the boy he loved.
    He heard the dog barking, followed it outside
    Where it had crept all the way under the porch.

    He called out and the forest called back.
    It was a woman’s voice ringing in his ears.
    The voice of the forest; guilt, that buried itself in his abdomen.
    The tumor had been growing for ten years,
    But he recognized it as the feeling he carried with him his whole life.
    In the hospital, the voice softened to provide him comfort,
    As everything returns to the earth from which it came.

  • 'Domino Days' by Zack Rogow

    H o w   a   s t r i n g   o f   h o u r s
    makes a day,
                       a n d   t h e   d a y s
              crowd into months,
                       m o n t h s   d o m i n o  
        to years
                y e a r s   c o l l i d e
                        into decades—
                         it’s more 
                                         than I can fathom.
             But if you’ll sit close to me 
             by this cliff
                              and watch just one 
    sunset
                                       over the 
                          Tiffany 
                                        ocean
            as the cirrus clouds
    turn a powdery orange
                                against a sky 
                                                                tincturing
    to violet
    then I’ll welcome 
        another day 
               y i e l d i n g 
        its colors 
    to the night.

The Musicians

Tanya Tomkins

Artistic Director and Co-Founder of the Valley of the Moon Music Festival, cellist Tanya Tomkins is equally at home on Baroque and modern instruments. She has performed on many chamber music series to critical acclaim, including the Frick Collection, “Great Performances” at Lincoln Center, the 92nd Street Y, San Francisco Performances, and the Concertgebouw Kleine Zaal.

She is renowned in particular for her interpretation of the Bach Cello Suites, having recorded them for the Avie label and performed them many times at venues such as New York’s Le Poisson Rouge, Seattle Early Music Guild, Vancouver Early Music Society, and The Library of Congress.

Nigel Armstrong

Nigel Armstrong is emerging as a dynamic and creative artist both within and beyond the realm of classical music. From his musical beginnings as a member of "The Little Fiddlers" in Sonoma, CA to collaborations with tango musicians in Argentina he's enjoyed using the violin in a versatile manner throughout his life.

As soloist and chamber musician Nigel has performed with orchestras throughout the world, and feels fortunate to have had the chance to explore great orchestral literature throughout his career.

Nigel also recently had the opportunity to live with and learn from the Plum Village community founded by Buddhist monk Thich Nhat Hanh, where he spent a year working on their organic farm and taking part in their daily life, an experience for which he continues to be grateful. 

Audrey vardanega

Praised as a “[musically] eloquent” (San Francisco Classical Voice) player “with the kind of freedom, authority, and strength…that one expects from the world’s finest pianists” and a “bewitching musical presence” (The Piedmont Post), American pianist and arts entrepreneur Audrey Vardanega (b.1995) has performed as a solo and collaborative pianist across Europe, China, and the United States. In response to her passion for bringing artists together for opportunities for performance, the creation of new work, and interdisciplinary collaboration, Audrey founded Musaics of the Bay in 2019.

eric Zivian

Music Director and Co-Founder of the Valley of the Moon Music Festival, Eric Zivian has given solo recitals in Toronto, New York, Philadelphia, and the San Francisco Bay Area. He has performed Mozart and Beethoven concertos with the Toronto Symphony Orchestra, and the Beethoven Triple Concerto with the Santa Rosa Symphony and the Philharmonia Baroque Orchestra. He performed the Beethoven Choral Fantasy with Philharmonia Baroque in April 2018.

Since 2000, Mr. Zivian has performed extensively on original instruments, playing fortepiano in the Zivian-Tomkins Duo and the Benvenue Fortepiano Trio. He is also a member of the Left Coast Chamber Ensemble and has performed with the Empyrean Ensemble and Earplay. He is a frequent guest artist on the San Francisco Conservatory’s faculty chamber music series. Mr. Zivian’s compositions have been performed widely in the United States and in Tokyo, Japan. He was awarded an ASCAP Jacob Druckman Memorial Commission to compose an orchestral work, Three Character Pieces, which was premiered by the Seattle Symphony in March 1998.

The Composers

Karna Mendonza

Karna Mendonca is a freelance composer based out of the San Francisco Bay Area. He attended summer programs at the San Francisco Conservatory of Music and Interlochen Arts academy, and currently studies both piano and composition with Eric Zivian.Karna participated in both the Stay-at-home Symposium and the Musaics of the Bay Winter Residency, and also helps organize Musaics’ artist gatherings.

Currently, Karna is interested in the intersection between visual art and music, improvisation in the classical tradition, and synthesizing concert music with ideas from jazz, flamenco, and other musical traditions. When he is not writing music, Karna also does research in artificial intelligence at UC Berkeley and plays oboe and English horn in the UC Berkeley Symphony Orchestra.

Terra Angela Hurtado

"Terra is an instrumental and electronic composer, and she’s thrilled to be working with Musaics for the Musical Lore residency!

Traditional, acoustic music ensembles are her favorite type of sound, and she hopes to enhance and augment that sound through the use of electronics and technology. Music pieces in film, television, and gaming all utilize some combination of technologies, and she believes putting these pieces together is part of the creative process. Her favorite instrument is the viola. Currently, she’s the composer for an unnamed pilot based out of LA, slotted for release in fall of this year."

Skyler Baysa

Skyler Lee Baysa (b. 2004) is a musician and composer living in the California Bay Area. He graduated from UC Berkeley with a bachelor's degree and honors in Music and Linguistics. Skyler has been playing the piano since 5 years old (studying with Sharon Lee Kim and Michael Seth Orland), and has been composing since he was 11. Skyler’s compositions have been performed by various professional musicians in the San Francisco Bay Area, including the Friction Quartet and players from the SF Symphony. He has received a Morton Gould Young Composer Award Competition Honorable Mention, the 2024 David and Diana Menn Memorial Prize in Music, and won the Oriens Composition Competition 2024. Skyler has also worked on the production of several Musical Theater Prize productions at UC Berkeley, and in 2022 performed in the devised work The After Party directed by Erika Chong Shuch. Skyler has been working with Musaics of the Bay since July 2020 and is happy to be participating in another Musaics residency.

The Berkeley Piano Club

The Berkeley Piano Club, dedicated to the performance and study of music, was founded in 1893 by a group of local women. Early meetings were held in members’ homes and later in a barn at the southwest corner of Piedmont Avenue and Bancroft Way. The clubhouse was built in 1912 to serve as the organization’s permanent home. Architect William L. Woollett, who later designed the Hollywood Bowl, created a building that is domestic in scale and detailing. Its redwood-clad concert hall remains the Club’s home as well as a site for performances by musicians of all ages, enriching the cultural life of the community. The clubhouse was restored in 2005.